My process is rooted in analogue experimentation and quiet collaboration. I shoot on film, exposing the same roll twice - once for the portrait, once for the internal landscape.
The first exposure captures presence: a still, focused portrait. The second emerges through conversation - drawn from symbols, memories, spaces, and textures that reflect the subject’s inner world.
The overlay happens in-camera, intentionally, but without full control. I never know exactly how the frames will merge. That uncertainty is part of the magic. Each image becomes a layered reflection - part portrait, part impression, part chance.
